## The way to Measure Glass for a Window

Fitting a fresh sheet of glass to an existing window frame depends mainly on cutting the glass to just the right size: too large and it wo not fit, too small and it will not fill the hole. The distance where the glass must fit is bigger than the hole you see, so simply quantifying across that hole will not get the job done. You also must determine the dimensions of the recess to which the glass fits, a measurement known as the “tight fit.”

Locate the outer borders of the glazing beading all over the frame. Glazing beading is that the strips of wood or plastic which overlap the edges of the glass and hold it from the window frame.

Determine the horizontal “tight fit” measurements by measuring the horizontal distance between the two outer borders of the beading on both sides of the window frame at the top and bottom of the frame. Record the dimensions as the bottom and top “tight-fit” values.

Determine the vertical “tight fit” measurements by measuring the vertical spaces between the bottom and top outer borders of the beading on the right and left borders of the frame. Again record the dimensions.

Deduct 1/4 inch from each of the recorded dimensions. For example, if the width throughout the top of the frame is 30 inches, bend 1/4 inch to create a new width of 29 3/4 inches. The adjusted measurements are the values to use for cutting the new sheet of glass. A 1/8 inch is deducted from each side of every dimension so that the cut glass is slightly smaller than the frame. This allows the frame to contract and expand without squeezing and fracturing the glass. Because 1/8 of an inch is removed from each side, the complete removed is 1/4 inch.

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## Modern Waterfront Home on Long Island

Most single-family homes in the nyc region are observed beyond the five boroughs, most out on Long Island. The Noyack Creek home, a retreat designed for a town dweller by local company Bates Masi Architects, is just one such home. It’s close to the tip of Long Island about the creek’s tidal estuary. Since the architects attest, also this tour of the home shows, the layout balances the client’s wishes with the website’s possibilities to create something contemporary yet entirely unique.

at a Glance:
Who lives here: An actor who operates in New York City
Location: Sag Harbor, Long Island, New York
Size: 1,350 square feet
That is intriguing: the House’s layout holds clues to the owner’s profession.

The long rectangular lot next to the water determined a few things: Wetland reverses on the west limited the siting of the home, zoning constraints applied to the general height, and neighbors on the south and north intended privacy concerns. This view of the west elevation facing the water is where the building opens itself visually and experientially to its surroundings.

Yet in comparison with the west side, the eastern front is shut. Past the drive the glass-door entrance is observable, but otherwise only a few small windows break up the darkened quantity. Behind the windows would be the guest bedroom and toilet; the top story is the back of the master suite, which can be oriented to the west and the water views.

Bordering the deck observable in the first photograph is a wall covered in the exact same black panels as much of their home. The architects describe the wall:”Water-jet cutting allowed us to precisely create apertures to permit airflow in the outside deck area whilst maintaining privacy from your neighbor.”

The black substance is Skatelite, usually used in skateboard ramps. The architects liken it to a black-box theatre, which makes sense because the customer is an actor. As we will see, the home is”choreographed” to reflect the client’s profession.

The tiered exterior seating adjacent to the deck is one of the regions where, as the architects put it”acting was used as a device to mention how one engages the landscape.” The measures look towards the water, but they also turn the deck to some stage. The measures are echoed inside, linking the exterior and interior environments.

This view within the home is looking from the entrance to the west, through the open kitchen and living room; the deck is to the left. While the plan is compact, the area is airy and bright. The top floor is hinted at through the timber walls seen through the white ceiling.

Visible here is the interior stair that follows the outside seating. In the first floor some second-floor choreography is evident: The stair adheres to the east, but the master bedroom faces west; a bridge across the kitchen links west and east.

This view of this bridge is also looking east. Beyond the sliding wood door is your master bathroom and closet.

Flipped 180 degrees, this view shows the bridge from the master bathroom. The bridge acts as a catwalk, be it one in a theatre fly area or one for being seen on. In any circumstance, the culmination in the western view is clear.

The conclusion of this choreographed route designed by Bates Masi is your master bedroom and its view toward the water. Unlike the theatrical measures and catwalk, this is a place of solitude and a refuge, where the customer can escape to character framed.

More:
Regional Modern Architecture Around NYC

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